Pas de deux sur les toits de l`opéra Garnier-Opera ballet dance on Parisian rooftops-Benjamin Millepied - Haut Vol
- il y a 9 ans
Benjamin Millepied nous dévoile un court-métrage sur la danse classique tourné entre l’Opéra Garnier et les toits de Paris.
SEE MEMBERS OF THE PARIS OPERA BALLET DANCE ON PARISIAN ROOFTOPS
Starring léonore baulac and allister madin for the paris opera ballet
Benjamin Millepied gives us a choreographed fantasy
Benjamin Millepied (director of the Paris Opera Ballet and husband to Natalie Portman) crafts a perfect pas de deux running over the city's rooftops.
The project showcases dancers Leonore Baulac and Alistair Madin at the Palais Garnier, the ballet company's home since 1875, in a whole new light.
The video marks Millepied's first season leading the company, where pushing the envelope creatively is clearly on his mind. "I will bring in visual artists, filmmakers, cartoonists and fashion designers to create the visual language of our new productions. I am interested in making sure we are not only dancing the best ballets that exist but also pushing ballet forward with the creation of new works which make use of the classical vocabulary and feel relevant to our time," he said.
SEE MEMBERS OF THE PARIS OPERA BALLET DANCE ON PARISIAN ROOFTOPS
Starring léonore baulac and allister madin for the paris opera ballet
Benjamin Millepied gives us a choreographed fantasy
Benjamin Millepied (director of the Paris Opera Ballet and husband to Natalie Portman) crafts a perfect pas de deux running over the city's rooftops.
The project showcases dancers Leonore Baulac and Alistair Madin at the Palais Garnier, the ballet company's home since 1875, in a whole new light.
The video marks Millepied's first season leading the company, where pushing the envelope creatively is clearly on his mind. "I will bring in visual artists, filmmakers, cartoonists and fashion designers to create the visual language of our new productions. I am interested in making sure we are not only dancing the best ballets that exist but also pushing ballet forward with the creation of new works which make use of the classical vocabulary and feel relevant to our time," he said.